{"id":136,"date":"2026-03-05T07:55:41","date_gmt":"2026-03-05T07:55:41","guid":{"rendered":"http:\/\/mathilderouton.com\/?page_id=136"},"modified":"2026-06-07T06:16:22","modified_gmt":"2026-06-07T06:16:22","slug":"ecriture-vivante","status":"publish","type":"page","link":"http:\/\/mathilderouton.com\/?page_id=136","title":{"rendered":"Ecriture vivante"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">slam \u00b7 performance \u00b7 lecture \u00b7 textes incarn\u00e9s<\/h2>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized wp-duotone-rgba833094-rgba2042042040-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1520\" height=\"466\" src=\"https:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-06-a-13.12.45.png\" alt=\"\" class=\"wp-image-349\" style=\"aspect-ratio:3.2619517977084156;width:496px;height:auto\" srcset=\"http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-06-a-13.12.45.png 1520w, http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-06-a-13.12.45-300x92.png 300w, http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-06-a-13.12.45-1024x314.png 1024w, http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-06-a-13.12.45-768x235.png 768w\" sizes=\"auto, (max-width: 1520px) 100vw, 1520px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Mon travail d\u2019\u00e9criture explore les formes invisibles de la violence, notamment institutionnelle, et les processus de r\u00e9paration du vivant. \u00c0 travers l\u2019essai, le th\u00e9\u00e2tre et le r\u00e9cit, j\u2019interroge ce qui se produit dans les corps, dans les voix et dans les structures lorsque la parole est emp\u00each\u00e9e.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Le cri silencieux \u00b7 Lecture-performance<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Une trag\u00e9die contemporaine sur l&rsquo;impossibilit\u00e9 du dialogue entre le langage administratif et le langage humain.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Au c\u0153ur du millefeuille institutionnel, le personnage cherche \u00e0 dire sa exp\u00e9rience, sa souffrance, sa r\u00e9alit\u00e9 v\u00e9cue.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En face de lui, des proc\u00e9dures, des formulaires, des r\u00e8glements et des paroles qui r\u00e9pondent sans jamais entendre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Une pi\u00e8ce sur ce qui se produit lorsque le dialogue devient \u00e9cho silencieux. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les langages ne se rencontrent plus, les mots continuent de circuler, mais  il forment un bruit humain inaudible. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Plus personne ne se rencontre. L&rsquo;alt\u00e9rit\u00e9 disparait. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>Je n&rsquo;ai pas cess\u00e9 de parler. <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Le<\/em> <em>monde<\/em> <em>a cess\u00e9 de m&rsquo;entendre. <\/em><\/p>\n<\/blockquote>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Premi\u00e8res lectures publiques envisag\u00e9es \u00e0 partir d&rsquo;octobre 2026.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>La dette du vivant&nbsp;&#8211; Essai<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><em>La Dette du Vivant<\/em>&nbsp;analyse la mani\u00e8re dont les institutions produisent une dette invisible dans les corps et les existences. \u00c0 partir d\u2019une exp\u00e9rience personnelle de violence institutionnelle, l\u2019ouvrage propose une r\u00e9flexion sur les m\u00e9canismes de d\u00e9ni, de transfert de responsabilit\u00e9 et sur le co\u00fbt physiologique du silence.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>\u00ab&nbsp;Le lanceur d\u2019alerte n\u2019est pas un h\u00e9ros. <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Il est un individu pour qui la dissociation normative <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>est devenue plus dangereuse que la v\u00e9rit\u00e9. \u00bb<\/em><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Les ailes des papillons &#8211; Texte fondateur<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Les Ailes des Papillons<\/em>&nbsp;explore la transformation int\u00e9rieure qui na\u00eet de l\u2019\u00e9preuve. Entre r\u00e9cit initiatique et th\u00e9\u00e2tre, le texte suit le passage d\u2019un \u00e9tat de sid\u00e9ration vers une reprise de la voix et de la verticalit\u00e9.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>\u00ab&nbsp;Il faut d\u2019abord traverser la br\u00fblure <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>pour que les ailes se d\u00e9ploient.&nbsp;\u00bb<\/em><\/p>\n<\/blockquote>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><strong>Recherches &amp; Cr\u00e9ations<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Architecture du Vivant &#8211; <em>Essai<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Une r\u00e9flexion sur le lien entre architecture, corps et structures sociales.<br>Le projet explore la mani\u00e8re dont les institutions fa\u00e7onnent, ou contraignent, les formes du vivant.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Le Bruit Humain &#8211; <em>Th\u00e9\u00e2tre<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Une pi\u00e8ce qui interroge la place de la parole dans les syst\u00e8mes institutionnels.<br>Entre silence, bruit et v\u00e9rit\u00e9 emp\u00each\u00e9e, la sc\u00e8ne devient un lieu o\u00f9 la voix tente de reprendre sa place.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:66px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><a href=\"https:\/\/mathilderouton.com\/?page_id=136\">Publications<\/a> &amp; Contributions<\/strong><\/h2>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Harc\u00e8lement institutionnel<\/strong> :<strong> la violence qui ne dit pas son nom<\/strong><br>Tribune publi\u00e9e dans le Club de Mediapart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/blogs.mediapart.fr\/mathilde-routon\/blog\/260126\/harcelement-institutionnel-la-violence-qui-ne-dit-pas-son-nom\">Lir<\/a><a href=\"https:\/\/blogs.mediapart.fr\/mathilde-routon\/blog\/260126\/harcelement-institutionnel-la-violence-qui-ne-dit-pas-son-nom\" target=\"_blank\" rel=\"noreferrer noopener\">e l&rsquo;article<\/a> \u2192<\/p>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Une maison pour la vie <\/strong>&#8211; <strong>Leroy Merlin<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9flexion \u00e9ditoriale et architecturale sur l&rsquo;\u00e9volution de l&rsquo;habitat au fil des \u00e2ges de la vie, men\u00e9e en partenariat avec Leroy Merlin et l&rsquo;ENSA Paris-Malaquais. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.leroymerlinsource.fr\/wp-content\/uploads\/2007\/06\/images_LMS_pdf_maison%20pour%20la%20vie.pdf\">Consulter la publication \u2192<\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rien \u00e0 vendre &#8211; Angelo Aliotta <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participation ponctuelle \u00e0 l&rsquo;oeuvre artistique immersive du sculpteur Angelo Aliotta, m\u00ealant \u00e9criture, arts visuels et cr\u00e9ation sonore. Deux de mes textes ont \u00e9t\u00e9 int\u00e9gr\u00e9s \u00e0 l&rsquo;exposition et aux publications associ\u00e9es. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Exposition \u00e0 d\u00e9couvrir, actuellement, dans la ville de Vallauris (06). <\/em><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u00ab Chaque son est une porte.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Et chaque porte,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">un seuil de conscience. \u00bb<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.youtube.com\/watch?v=A9p-uT58SVs&amp;t=2s\">\u2192 D\u00e9couvrir <\/a>Angelo Aliotta <\/p>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"padding-top:var(--wp--preset--spacing--60);padding-bottom:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group alignfull has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignfull has-global-padding is-content-justification-center is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"aligncenter wp-block-site-logo\"><a href=\"http:\/\/mathilderouton.com\/\" class=\"custom-logo-link\" rel=\"home\"><img loading=\"lazy\" decoding=\"async\" width=\"142\" height=\"142\" src=\"http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/03\/ChatGPT-Image-6-mars-2026-09_51_37.png\" class=\"custom-logo\" alt=\"Architecture du vivant\" srcset=\"http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/03\/ChatGPT-Image-6-mars-2026-09_51_37.png 1024w, http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/03\/ChatGPT-Image-6-mars-2026-09_51_37-300x300.png 300w, http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/03\/ChatGPT-Image-6-mars-2026-09_51_37-150x150.png 150w, http:\/\/mathilderouton.com\/wp-content\/uploads\/2026\/03\/ChatGPT-Image-6-mars-2026-09_51_37-768x768.png 768w\" sizes=\"auto, (max-width: 142px) 100vw, 142px\" \/><\/a><\/div>\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">ARCHITECTURE DU VIVANT<\/h2>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--70)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group alignfull is-content-justification-center is-layout-flex wp-container-core-group-is-layout-c2ac6810 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-center wp-block-paragraph\">\u00a9 Mathilde Routon<br><a href=\"mailto:mathilderouton@gmail.com\" data-type=\"page\" data-id=\"243\">Correspondance<\/a> \u00b7 <a href=\"https:\/\/www.linkedin.com\/in\/mathilde-r-a04762184\/\" data-type=\"page\" data-id=\"240\">linkedIn<\/a> \u00b7 <a href=\"https:\/\/www.instagram.com\/vivre.ou.se.taire\/\" data-type=\"page\" data-id=\"241\">Instagram<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>slam \u00b7 performance \u00b7 lecture \u00b7 textes incarn\u00e9s Mon travail d\u2019\u00e9criture explore les formes invisibles de la violence, notamment institutionnelle, et les processus de r\u00e9paration du vivant. \u00c0 travers l\u2019essai, le th\u00e9\u00e2tre et le r\u00e9cit, j\u2019interroge ce qui se produit dans les corps, dans les voix et dans les structures lorsque la parole est emp\u00each\u00e9e. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/mathilderouton.com\/index.php?rest_route=\/wp\/v2\/pages\/136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mathilderouton.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/mathilderouton.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/mathilderouton.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mathilderouton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=136"}],"version-history":[{"count":63,"href":"http:\/\/mathilderouton.com\/index.php?rest_route=\/wp\/v2\/pages\/136\/revisions"}],"predecessor-version":[{"id":361,"href":"http:\/\/mathilderouton.com\/index.php?rest_route=\/wp\/v2\/pages\/136\/revisions\/361"}],"wp:attachment":[{"href":"http:\/\/mathilderouton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}